Giovanni Sollima was born in Palermo in 1962 into a family of musicians. He studied in Palermo, Salzburg and Stuttgart, and, still a teenager, embarked on a brilliant international career of cellist, collaborating with Claudio Abbado, Martha Argerich, Jorg Demus and Giuseppe Sinopoli.
Alongside the soloist career, his creative curiosity led him to explore new frontiers in the field of Composition: his unmistakable style is characterized by contaminations between different genres: minimalism, rock, electronic and ethnic music from all over the Mediterranean area, with echoes of ancient and baroque music, on the basis of a thorough classical training.
His music has been played by classical performers such as Yo-Yo Ma, Riccardo Muti, Antonio Pappano, Daniele Gatti, Gidon Kremer with the Kremerata Baltica, Ivan Fischer, Mischa Maisky, Viktoria Mullova, Yuri Bashmet with the Moscow Soloists, Sol Gabetta, Katia and Marielle Labeque, Ruggero Raimondi, Mario Brunello, Bruno Canino, La Scala Philharmonic Orchestra, the Santa Cecilia Orchestra, the Chicago Symphony Orchestra, Il Giardino Armonico, the Accademia Bizantina, the Royal Concertgebouw Orchestra, the Amsterdam Sinfonietta, the Budapest Festival Orchestra, the Berliner Philharmoniker Strings, the Berliner Konzerthausorchester, the Royal Liverpool Philharmonic Orchestra, the Manchester Camerata, the Belgrade Philharmonic Orchestra, the Australian Chamber Orchestra and the pop stars Patti Smith, Larry Coryell, Mauro Pagani, Stefano Bollani, Elisa (protagonist of his opera Ellis Island).
For cinema and television he composed for Peter Greenaway (The Tulse Luper Suitcases and Nightwatching), John Turturro (Evidence for a Sicilian Tragedy), Carlos Saura (La Jota), Anatolij Vasiliev (L’Asino), Marco Tullio Giordana (One Hundred Steps and The Best Youth), Lasse Gjertsen (Daydream). For the theater he wrote and performed music for directors such as Robert Wilson, Alessandro Baricco, Peter Stein. In 2006 Peter Greenaway chose his music for the large installation staged in Amsterdam in the fourth centenary of Rembrandt. In the dance field he collaborated with many great choreographers, such as Karole Armitage, Bebe Miller and Carolyn Carlson who, at the Venice Biennale, made him play on stage, among the dancers, using his scenic charisma.
As a soloist, or with different instrumental groups, he performed his compositions all over the world: the Carnegie Hall, the Merkin Hall and the Brooklyn Academy Music in New York, La Scala in Milan, the Queen Elizabeth Hall and the Wigmore Hall in London, the Salle Gaveau in Paris, the Tchaikovsky Hall in Moscow, the Liszt Academy in Budapest, the Istanbul International Festival, the Tokyo Summer Festival, the Sydney Opera House, the Tanglewood Festival, the Auditorium of Santa Cecilia in Rome, the Venice Biennale, the Ravenna Festival, the Kronberg Festival, the Kunstfest in Weimar, the Lockenhaus Festival, the Amsterdam Biennäle, the Piatigorsky Festival in Los Angeles, the opening of the Italian Pavilion at Expo 2010 in Shanghai with La Scala Orchestra, with tours in the UK, Holland, the U.S.A., Canada, Russia, Japan, China, Australia. Prestigious venues, as well as alternative ones, nearer to the younger audience, such as the Knitting Factory in New York, a real underground temple, when the Pulitzer Prize Justin Davidson describes him as ”The Jimi Hendrix of the Cello”. Remarkable is the cello performance in the Sahara Desert and the one underwater in a sicilian’ gebbia (a tank for irrigation’ water).
In 2012 he had been the main creator and the artistic director of the explosive musical ensemble of the 100 Cellos, which in six years had performed with his ”Itinerant Festival” in Rome, Milan, Budapest, Turin, Ravenna, Lucca and Palermo.
The Municipality of Milan commissioned to Sollima the sound theme for Expo 2015, which inaugurated the new exhibition hall for the Pietà Rondanini by Michelangelo.
On June 2, 2017, for the Festa della Repubblica, he performed a concert at the Quirinale in front of the Presidents of the Republic and of the Chambers, and all the ambassadors from all over the world.
In October 2018, he has been awarded the prestigious Anner Bijlsma Award in occasion of the Cello Biennale in Amsterdam, where he was ‘Artist in residence’.
Among the many cd, we remember Aquilarco for Point Music/Universal (on invitation by Philip Glass), Works and When We Were Trees for Sony, Neapolitain Concertos and the Sonatas for Cello by Giovanni Battista Costanzi for Glossa Music, Caravaggio, 100 Cellos live in Rome and Aquilarco live in New York for Egea Music, Onyricon, Il Caravaggio rubato and A Clandestine Night in Rome for Decca.
Sollima plays a cello Francesco Ruggeri (Cremona, 1679) and, since 2010, he’s been teaching at the National Academy of Santa Cecilia, where he was awarded the title of Academician. Moreover he uses in his creations western and eastern acoustic instruments and electrical and electronic tools, mixed with others of his own invention, such as the aquilarco, and others especially made for him, like the tenor violin present in the paintings of Caravaggio and an ice-cello that in the winter of 2007 he played at 3200 meters above sea level, in an igloo’ theatre built in a glacier of the Dolomites.
He publishes his works with Casa Musicale Sonzogno in Milan.
Klavs Lewinsky er uddannet som pianist fra Det Kgl. Danske Musikkonservatorium, hvor han
tog diplomeksamen i 1991.Endvidere har han en bachelorgrad i musikvidenskab fra Københavns
Har i en årrække virket som repetitør/akkompagnatør i utallige sammenhænge, som f.eks. :
Timelærer i repetition samt akkompagnatør på musikkonservatoriet, repetitør ved Det Kgl. Teater, repetition ved opera- og korprojekter etc.
I de senere år har han dog valgt at koncentrere sig om at arbejde med operagenren, hvilket han
ser som sit hovedområde. Han har her oparbejdet et omfattende kendskab til repertoire, stil, og
ikke mindst sangteknik, som han formidler til både aktive og kommende operasangere.